Materials: Stainless steel tablespoon; handle wrapped with upholstery.
Backstory: At its core here is a spoon, stolen from the staff dining room at Rahway, where, as in many federal penitentiaries, inmates were restricted to using plastic flatware. Stamped “State of NJ,” the spoon likely to have been sharpened on the cement floor or wall of a cell. The bowl of the spoon was filled with wax and then wrapped with upholstery thread (taken from the furniture shop, where it was used to re-stitch chair cushions) thereby forming a generously-scaled handle.
Backstory: At its core here is a spoon, stolen from the staff dining room at Rahway, where, as in many federal penitentiaries, inmates were restricted to using plastic flatware. Stamped “State of NJ,” the spoon likely to have been sharpened on the cement floor or wall of a cell. The bowl of the spoon was filled with wax and then wrapped with upholstery thread (taken from the furniture shop, where it was used to re-stitch chair cushions) thereby forming a generously-scaled handle.
Materials: Wood strip; five large razor blades glued into one side; six small razor blades glued into other and wrapped with boxing tape, rubylith and clear tape; handle wrapped with boxing tape.
Backstory: Lifted from the facility’s metal sign shop, this shiv is wrapped in “rubylith” — a red, masking tape classically used in signmaking (and, before the digital revolution, commonly employed by graphic designers in the production of “mechanicals”). Eleven disposable razor blades, available for purchase from Rahway’s commissary back in the 1980s, are carefully inserted down the sides.
Materials: Steel rod; handle wrapped with boxing tape.Backstory: Lifted from the facility’s metal sign shop, this shiv is wrapped in “rubylith” — a red, masking tape classically used in signmaking (and, before the digital revolution, commonly employed by graphic designers in the production of “mechanicals”). Eleven disposable razor blades, available for purchase from Rahway’s commissary back in the 1980s, are carefully inserted down the sides.
Materials: Iron plate; handle wrapped with electrical tape.
Materials: Iron band from bed slat; handle wrapped with electrical tape over boxing tape.
Materials: Steel carpenter’s square.
Backstory: A carpenter’s square was shaved to a point using metal snips found in the prison sign shop, where many state highway and traffic signs are still made each year.
Materials: Shard of plexiglas; handle wrapped with electrical tape.Backstory: A carpenter’s square was shaved to a point using metal snips found in the prison sign shop, where many state highway and traffic signs are still made each year.
Materials: “Unbreakable” plastic comb; three single-edge razor blades inserted into teeth; wrapped with copper wire and shoelace.
Backstory: During the 1980s, a modest stipend of $1.10 per day was deposited into each working prisoner’s personal account. The comb and shoelace used here were available from the prison commissary at that time. By completing an order form, prisoners could make purchases and tailor a shiv to their own design specifications.
Backstory: During the 1980s, a modest stipend of $1.10 per day was deposited into each working prisoner’s personal account. The comb and shoelace used here were available from the prison commissary at that time. By completing an order form, prisoners could make purchases and tailor a shiv to their own design specifications.
Materials: Gardening glove with smaller glove inside; four steel upholstery tacks, each with three sharp points exposed, sewn between gloves.
Backstory: A pair of gardening gloves were issued to an inmate assigned to outdoor landscape detail. The sharp metal points beneath the cloth are actually the bottom sides of four inverted upholstery tacks, lifted from the furniture shop and stitched into the knuckles of the glove: the idea here is that the points become more pronounced when the user makes a fist.
Backstory: A pair of gardening gloves were issued to an inmate assigned to outdoor landscape detail. The sharp metal points beneath the cloth are actually the bottom sides of four inverted upholstery tacks, lifted from the furniture shop and stitched into the knuckles of the glove: the idea here is that the points become more pronounced when the user makes a fist.
Materials: Carriage return from typewriter; U-clamp attached to side; handle wrapped with boxing tape, string, upholstery thread and fragments of dried putty.
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